Monday, October 14, 2013

Let go. Embrace. Write!


by Juliet Blackwell

Recently I’ve had several people ask me what they should read in order to learn to write. 

I’m going to say something close to blasphemy. 

The truth is, I don’t believe in reading books about writing.  Reading is not writing.   

Writing is writing.  In fact, most successful authors I know “learned” to write by writing their first book, or their first several tomes. 

So if you want to write, then write.  How?  Learn to let go, and embrace.

Let go of the results of that first book.  Just finish it: prove to yourself that you can write 80k words of narrative.  It doesn’t have to be poetry; it just has to be DONE.

Let go of “worthy”: no writing out there is “worthy” in everyone’s estimation, and yet it’s all worthy.  Let go of the concept --it's not useful.

Embrace the “vomit draft”:  I hate the graphic nature of that term, but it’s the only word that truly encapsulates the feel of that first, fast draft.  Some people call it the sh*t draft, but to me it’s more like pulling things up, painfully, and spewing them out on the page.  Again, I apologize for the imagery, but the process of writing –like most art-- isn’t pretty. Embrace the messiness, let go of the worthy, and get it on the page! 

Embrace dogged determination: just DO it (insert Nike swish here).  If it’s twenty minutes a day, make those minutes count.  If you’ve got all day, go for it. Don’t think about it, just do it.

Let go/ignore frenemies.  Stick your fingers in your ears and hum.  Practice the friendly, “No, sorry, I have to write.” (this gets easier with practice!) Before you’re officially published it’s hard to convince people (and yourself) that you’re actually doing something important, so be clear on this for yourself before sharing with others:  This is my work.  It is worthy. No one else can tell my story.

Let go the monkey mind.  The monkey mind jumps all over the place.  Force yourself to enter your own story and ignore the laundry, the phone, the internet, the sunny day outside your window.  Want to write?  You have to give up something.  Maybe many somethings. It’s a sacrifice.  But as those of us who write know, it’s well worth it.

Try NaNoWriMo – 2k words (8-10 pages) a day is nothing for a lot of us working authors, but if you’ve never written a book it can feel daunting (as it can if you have, for example, a full time job and children and a spouse and and and…)  NaNoWriMo can help you get past that hump: you have to write, whether it’s good or not, whether it’s worthy or not.  (At 2k a day, you have a 60k rough draft in one month.  That leaves you 11 months to tinker on it, correct plot problems, craft language, reach for the magic…and then you’ve written a clean, lovely manuscript in one year!)

Embrace other creative people:  Throw yourself into the creative world.  Find a writing group such as Sisters in Crime, or Romance Writers of America, or NaNoWriMo, or a local group.  Find a fellow author who will sit with you in a café and write for hours while ignoring the crowd, and each other. 

Embrace yourself as an artist: an artist doesn’t do what other people do.  Perhaps that means you have no idea who won American Idol, or the World Series, or the Oscars.  Perhaps that means you had to skip the beach trip or that last delicious hour of sleep.  Perhaps it means you don’t shower for days and you live with the voices in your head…it’s all good, you’re a quirky *artist*!!!

And finally…if any of the above is helpful, embrace it…if it doesn’t apply to you, let it go.  We all have different ways of getting our stories written, so feel free to call bullsh*t on me!

(This has nothing to do with anything...but check out my great house at California Home Design. Happy Halloween!!!)


Monday, October 7, 2013

Irene Adler



I’ve stopped watching Elementary. It’s not because I don’t like the show. I do. I enjoyed almost everything about it. I loved Jonny Lee Miller’s very human take on Sherlock. I liked how they focused on how he was driven by his addictive tendencies. I liked how they made Watson a smart and worthy character and not just some clueless barnacle clinging to Sherlock’s side. I even liked most of the mysteries.

But I’m not watching Elementary this season, and it’s because of what they did to Irene Adler.

When I was young, my mother used to read me Sherlock Holmes when I got sick. I would climb into her bed and drink apple juice and hear stories about missing blue carbuncles and shady-sounding Red Headed Leagues.

I liked Sherlock. Who wouldn’t? He was the hero. He was exciting and brilliant. He solved mysteries no one else could.

But the character I really fell in love with was Irene Adler.

Irene is only in one story, A Scandal in Bohemia, but she stayed with me, and seeing how she’s showed up in just about every modern retelling of Sherlock Holmes that I can think of, I’m guessing that she stuck with a lot of people. It’s not hard to guess why. Irene was the only one who ever really bested Sherlock.

That’s right the only person smarter than Sherlock Holmes was a woman.

Okay, I hear some of you out there saying that technically Mycroft was smarter, but that’s just comparing stat to stat. An intellectual exercise. Irene beat him in a fair fight down on the field. That makes her the winner as far as I’m concerned.

Irene Adler wasn’t just any woman; she was an awesome woman. She was an opera singer, an adventuress, and a lover to a king, but most of all she was a woman who lived life on her own terms. And those terms included being left the hell alone by a harassing monarch and marrying the man she fell in love with, despite having a life of her own before she met him. Crazy, I know.

Yeah, I love me some Irene Adler. And I get real pissed off when people do her wrong. Which is exactly what Elementary did--big time.

They took this smart, independent character and turned her into a criminal mastermind, one who was responsible for dozens of deaths. She uses her body as a weapon to get what she wants out of Sherlock. She’s evil. But the end, she’s done in by her overly sentimental heart.

Now, to be fair, Elementary isn’t the only one that’s done this to Irene. Those Robert Downey Jr. movies made her into a thief, and that show, Sherlock, made her into an evil dominatrix who only uses her sexuality to gather information for blackmail and helping terrorists.

And they all pissed me off. For a couple of reasons.

Let’s start with the idea that a female character’s only weapon against a male is sexual. The “real” Irene was never attracted to Sherlock. The only man she had feelings for was her fiancé. That’s why he was her fiancé.

She didn’t need to dazzle poor Sherlock with her lady parts to beat him. She had her brains. She saw past his disguise and made one of her own. A more effective one, and she fooled him good. And she didn’t do it for nefarious reasons. She did it to protect herself and the one she loved. She wasn’t some female version of a melodrama villain, flashing her tits instead of twirling a mustache.

Which brings me my next gripe. Is the idea of an intelligent, sexually experienced female character really so frightening that the only role she can play is a villain?

Really? Because please remember that A Scandal in Bohemia was published over 120 years ago, and at the end of the story Sherlock describes Irene as being on higher level than the king. That’s right, a story written in the Victorian era is more progressive than the stuff you can find on tv today. Think about that for a while.

But let be clear about something. These paper thin, stereotypical versions of Irene aren’t just infuriating; they are insulting. They are representative of a lack of imagination and depth that goes into creating female characters in general. And that’s really why I won’t be watching Elementary this season.

Friday, October 4, 2013

Lisa's Writing Tips

So, the Pens are back (plus Mysti and Ruby!)...we're all really excited to be here. Seriously, excited.

To writers, talking about writing is almost as good as doing it. I'm a perpetual student. I have a fairly extensive library of books on writing. Writing novels, writing short stories, writing screenplays. Three act structures, Hero's journey, scene and sequel. How to make good writing great.


Books by famous authors about their career paths and how they did it and continue to keep doing it. Books on mythology, archetypes, symbolism. Books on editing once the draft is done. Books on style. Books on marketing.

There is always more to learn. Which is true of any profession or passion. There is always more to learn.

I thought for my posts perhaps each month I would highlight a particular book. Of course, I may change my mind which is definitely the point of this newer, less-structured format. This month's book was supposed to be a highlight of Self-Editing forFiction Writers by Renni Browne and Dave King.



It's an excellent book chock full of tips on how to make your writing cleaner and more concise, and how to avoid common mistakes. I refer back to the information frequently. But when I sat down to write this post, I kept getting distracted by what's been going on in my own writing life lately and decided to share my personal tips this month instead.

So what I want to talk about is actually getting your butt in the chair and writing. One of the hazards of being a writer is that talking about writing is almost as good as doing it. I know you've seen that line before, right at the beginning of this post. But it's true.

It's really easy to talk about writing, about learning the craft, about structure, about heroes, heroines, villains, about plot points, black moments, returning for the elixir. The list goes on and on....

But at the end of the day (week, month, year) what matters most is whether or not you sat down at your computer or with a notebook and pencil and actually put words on the page. Because that's what writers do. They write.

So here are my tips (in no particular order):

1. I keep a spreadsheet. A practice I learned from the absolutely amazing Suzanne Brockmann at a workshop years ago. She mentioned lawerly billable hours and keeping track of her time. I started doing the same. I keep a year long spreadsheet, and I put in all my work whether it is 20 pages of editing or 652 new words written or even research.




2. I also delete nothing (or almost nothing) from a work in progress until the draft is complete and I've gone through two or three revision passes. Then I take all the leftovers, which I move to the bottom of the manuscript, and dump them into a leftover file doc. I do delete a few words or notes here and there but if the edit is longer than four or five words, it goes at the bottom of the document.

3. If I am having trouble diving into a scene, I will do some of these: Write in 15 minute increments. Write the scene in first person. Switch the scene point of view. Write or Die (www.writeordie.com  online for free). Start a word war with a friend. (Adrienne Bell and I are getting to be pros at this. I lost September so I have to buy lunch this month :) )

So those are my words to get you started. I'll leave you with this:

Just write. That's what we do.

Lisa

ps. Some Pens and friends have a holiday anthology coming October 20th! We are pretty excited about this collaboration. More later in the month....




Love on Main Street: A Snow Creek Christmas

Where love begins on Main Street and ends happily ever after....


Christmas, the most magical season, is almost upon the small mountain town of Snow Creek. For seven couples, holiday wishes mean more than just gifts or parties. Can Snow Creek pull off its annual holiday miracle of bringing love to town? 

Thursday, September 26, 2013

Art Returns to San Francisco

Okay, I admit, capital-A art never left San Francisco. The deYoung is still there and the Legion of Honor welcomes guests. It's just that the last few decades have been hard on the lower-case art scene in San Francisco. Many struggling musicians, artists, and writers can't afford to live in the city.  And nobody likes to fight their way in during commute hours. I know ten writers in the East Bay for every writer who lives in my 7 square miles of paradise.

The view from my writer's garret
I fell in love with San Francisco in 1977, a young woman in search of something to live for after an unexpected tragedy, and have been in love ever since.  San Francisco, you were the first beautiful thing I found in that difficult time. More days than not, you take my breath away.

I almost had to leave this city when rents skyrocketed. Luckily, with the patient help of agent Michelle Bouchet, I fell in love with San Francisco in 1977, a young woman in search of something to live for after an unexpected tragedy, and have been in love ever since.  San Francisco, you were the first beautiful thing I found in that difficult time. More days than not, you take my breath away.

Our little redwood box of a house was built in 1945, and served as the destination of choice for many African-American families who earned a middle-class living in the shipyards during the war. It stayed at least 50% African American until the new millenium, when the pressure for housing hit made this neighborhood the most culturally diverse in San Francisco, welcoming Asian, Latino, and Caucasians alike. Without much effort aside from day-to-day respect and courtesy, we all get along. The neighborhood had a few tough years, so everyone here is interested in keeping it safe for the kids, safe for the elderly, safe for everyone.

Best of all, there's a surprising amount of artistic work going on here. My next-door neighbor just dropped a record (Mo' Cubic Inches, which he says is a car motor reference). My husband writes, pencils, inks, and publishes his own graphic novel, Tales of the Moonlight Cutter. Three Million William, down the street, has a lot of projects in development, all run from his barbershop kingdom. And I'm working on my first and second crime novels. Who knows what the kids in the rented house across the way are up to?

See all the Hopperesque warm light?
So far, my favorite thing about the neighborhood is the M-car, especially at night. The rails shake the ground with a deep vibration before an M-train drives by our house, and for a long moment after. The light inside each car is warm: every fifteen minutes from nightfall until I fall asleep, a little Hopper tableau drives by. It's magical.

Note: After composing this post, I learned there was a murder just a few blocks up the street. Just a guy getting off the M-car, shot by another guy from the same train. I think we'll rally, not retreat from each other. At least, I hope so!


Sunday, September 22, 2013

The Pens are Back!

Gigi here. It's true! We're back!

The Pens Fatales began in 2009, a group of eight women beginning our writing careers. Each fortnight we would select a new topic to discuss, and for three years we had a great time blogging and getting to know many of our readers. By 2012, we were all busy with more writing projects than we ever imagined. We felt like we'd had a good run, so we decided to abandon daily blogging. Our last regularly scheduled post was on the topic of "friendship" in April 2012.

Juliet and I were on the Women of Suspense panel
at the Sonoma County Book Festival yesterday.
But... we missed the blog! So we got together and brought it back. Our favorite parts of the blog will still be here, but format is a bit different. Rather than different topics, we'll be blogging about all things writing-related. We've learned so much about writing and publishing since we came together in 2009 -- one of the most important things being that it's important to have a tribe of like-minded writers. This is our tribe.

Not everyone had time to fit blogging into their schedules, so while we're all still friends offline, here on the blog you'll notice a slightly new line-up. We'll miss our absent founding members, but we're thrilled to be back! There are 9 of us and we'll each post one blog post per month, approximately every three days. My day is the 22nd, so here I am to welcome everyone back.

On my end it's been an exciting year, and especially an exciting summer. I recently signed my second three-book deal within four months. Yes, it's pretty surreal.

It took a long time to get here, but thanks to the encouragement and wisdom of the Pens, I'm now writing both the Jaya Jones Treasure Hunt Mystery Series for Henery Press and a new forthcoming series for Midnight Ink.

Rather than turn this post into a novel itself, I'll share further details later. In the meantime, I can't resist sharing my gorgeous book covers from Henery Press. Artifact was re-issued in August of this year, and Pirate Vishnu (#2) comes out in February 2014.


All our links to find us elsewhere on social media are in the "Check Out the Authors" section at right. Thanks to everyone who suggested we continue this blog. You were right. We're glad to be back.

--Gigi Pandian

Friday, November 16, 2012

Gigi's Book News

It's been a while since the Pens have posted on a daily basis, but we still keep the site up for the archives as well as to post news of interest about what we've been up to. Most of us now have personal blogs, email newsletters, and are on Twitter, so you can keep most up to date there. Since I haven't done an update on the Pens site since we wrapped up daily posts, I've got a lot going on so I thought it was about time I did one here!

Artifact: A Jaya Jones Treasure Hunt Mystery was released August 28, 2012. I held the book launch party at A Great Good Place for Books in Oakland, CA. (Photos here.) 

I found out this week that Artifact is being named a Best of 2012 book by Suspense Magazine! The full list of books will be in their December issue, coming out the first week of December.


In a couple of weeks, I'll be heading to southern California for the book launch party of the next Jaya Jones mystery. Fool's Gold: A Jaya Jones Treasure Hunt Mystery Novella is a prequel to Artifact  being published in Other People's Baggage, a collection of three interconnected mystery novellas (Henery Press, December 3, 2012). This was a really fun project to write a mystery connected to two others through a luggage mix-up that leads to mystery and mayhem. 

In Fool's Gold, when a world-famous chess set is stolen from a locked room during the Edinburgh Fringe Festival, historian Jaya Jones and her magician best friend must outwit actresses and alchemists to solve the baffling crime. (More details here.)

If you're in the Los Angeles or Orange County areas, I hope you'll join me and my co-authors Diane Vallere and Kendel Lynn at one of the launch parties:

Thursday, November 29, 2012 
6-8 pm at Traverler's Bookcase in Los Angeles

Saturday, December 1,  2012
3-5 pm at Mystery Ink Bookstore in Huntington Beach


Friday, August 24, 2012

Lisa's new book Archangel Rafe (A Novel of The Seven) is out now!

Just doing a quick check in!! Hello to all the Pens fans out there. We've all be ridiculously busy, as evidenced by our lack of posts here. We will try to be better about posting pics and appearances. Note I said, try. :)

Just thought I'd let you know that I have a new book out. Working on this book was an amazing journey.

The beginning: I wrote the original story a few years ago and my agent submitted it to the publisher I had specifically targeted. Ultimately they turned it down but said they would look at a revised version, if I made the heroine younger with no children and less responsibility.

The middle: I re-wrote the book and changed the heroine. I made the plot stronger and more epic. Unfortunately, they turned it down again. But now I had a heroine that even I wasn't crazy about.

The end: I worked with Theresa Stevens, editor extraordinare, who consistently pushes me to be a better writer. I am blessed to have her input and direction. And this book is the result.

So a little about the story of Archangel Rafe....

Here are the details:

Angelina. What I love about Angelina is that she's got some life experience. She's about to be divorced. Has two teenagers. A sister who is a little on the needy side. An ailing grandmother who raised her. Her life is plenty full. And all she really wants is a little peace and respite from all of her responsibilities.

She starts having these dreams. Hot dreams. About an angel. And in her dreams is the only place she can escape and be free of responsibilities.

Except her dream angel turns out to be real. And when he starts talking rare healing powers and a responsibility to help people she shuts him down. She doesn't have time to take care of anyone else. She doesn't even have time to take care of herself.

Rafe is the Archangel of Healing. He's pretty much had it with the human realm. He's frustrated and disillusioned with people. He's actually one final act away from leaving behind the human realm and ascending to the Second Sphere of the Angelic Realm. He just has to get Angelina to accept her power and begin healing.

Take two determined protagonists whose goals are at total odds, throw in a very steamy and completely forbidden attraction and the sparks fly.

Archangel Rafe is available at Amazon, BN and AllRomance eBooks.

If you like it, please leave a review on one of those sites or Goodreads. Without the might of a publishing house behind self-published books, authors have to rely on word of mouth to get a distribution channel going. We are eternally grateful when people review our work!!

Also, huge thanks to Kim Killion (Hot Damn Designs ) who did an amazing job on the cover!!


Friday, May 25, 2012

New Ebook Release!


The Outlaw’s Secret Bride
L.G.C. Smith


A Teacher and An Outlaw in an Untamed Land
Emily Parker came to Dakota Territory to escape an unwanted suitor so the last thing she wants is to get married . . . and certainly not to the rough-mannered Drew Rutledge, whose illegal dealings with renegade Indians make him a less than ideal choice of husband. But when Emily's brother and Rutledge's adopted Lakota family team up in a matchmaking effort, the unexpected fire Drew ignites in her threatens to rage out of control, threatening her respectability. For all his strength and resolve to protect her, Drew can’t resist his feelings for Emily. As conflicts between the Black Hills settlers and the Lakota flare, Emily and Drew are caught in the crossfire. A secret marriage could save them both—or carry them into ruin.
This week marks the ebook release of my first backlist title, a historical romance originally published by Avon Books in 1990. Now titled The Outlaw’s Secret Bride, it’s available as an ebook from Amazon, Barnes&Noble, and Smashwords. This is an unabashedly big romance from the heyday of the historical western. I tidied up some of the extra adverbs and adjectives, but as I read it through again I was pleased with how well it holds up—aside from that little problem with pheasants in Dakota Territory in 1880—WRONG, they weren’t introduced until 1882, and I do believe every single person in South Dakota knows that and made sure I did, too. I got it, folks. No pheasants this time. Still lots of meadowlarks and eagles, but no pheasants.

Writing The Outlaw’s Secret Bride was the most joyful thing I’ve ever done. I’d wanted to write since I was in elementary school. I’d tried lots of things. Poetry. Short stories. Literary fiction. Then one September night shortly after I started my doctoral program at Cal, I couldn’t sleep, and I found a historical romance on my mother’s coffee table. I devoured it. I’d read romance in college, then stopped, mostly because I lived in Switzerland and was so poor I couldn’t buy many books. I read what my friends passed around. There weren’t a lot of romances in the mix.

As soon as I finished reading that big historical, I knew what I was going to write. I lugged three giant backpacks into the stacks at Cal and gathered enough books and journals to damn Bear Butte Creek in a rainy June. I spent most of that semester researching and plotting. I don’t know how I got any course work done, but I did. I also read every bestselling romance I could get my hands on and analyzed the stories and the language. By winter break I was writing. By the end of March, I had a 150K draft. There were days I spent ten hours in a folding chair at a kid-sized desk in a dumpy family-student housing apartment, and never took my head out of my story or my eyes off the tiny screen of my Mac SE. I didn’t eat. I lost track of time. For me, that was unprecedented.

I loved this book. I loved writing it. Some might quibble with my stylistic choices, but I made them carefully. Every freaking word. I didn’t take no for an answer until I got an agent (not a great one, as it turned out), and then an editor (who was pretty great) and a publisher, and I have been writing romance ever since.

Here’s a sample:
Bear Butte, Dakota Territory, 1861
The small flags of colored cloth snapped against their poles like wild ghosts in the night as the west wind lifted them. The wind brought the scent of new grass, damp earth, and promised rain, yet there were no clouds. A waning crescent moon dipped toward the horizon, and the boy sitting on a bed of sage, enclosed by the four poles, shivered as the breeze rippled over his bare, sunburned body. Goosebumps rose on his arms and stomach, but he didn't notice them. His eyes were fixed on a small, dark speck far away in the western sky, beyond the pale buffalo skull atop the cottonwood pole before him, beyond the dark humps of Mato Paha, or Bear Butte. Without blinking, the boy lifted the pipe that rested in front of him and raised it to the four winds, to the earth and the sky, and finally to the dark shape approaching him.
He stood motionless. Tiny sounds began to fill his ears, growing until they were almost deafening in the predawn stillness. He heard the grass stems bending and shifting in the wind, and the insects marching upon the moist spring earth. He heard the horses at the camp whinnying and snorting. And though the camp was far from him and beyond his sight, he heard the even breathing of the sleeping people, the small cries of babies, the snores of old men, and the creak of the lodge poles in the gusting wind as if he were present in each lodge.
The sounds spilled into the night. Then there were new voices, and harsh, metallic noises coming from the east. Noises he remembered from his childhood encroached on the prairie night: crowds milling, engines churning with cranking gears and hissing steam, wheels screaming against steel tracks, and heavy wagons thundering over uneven roads. The roar built in his ears until he could no longer hear the earth and the people, but only the chaotic din of machines and white men's shouting voices.
Suddenly, the rush of beating wings drowned out all other sound, and the boy stared in wonder as the dark shape above him descended, wide wings blocking out the stars. Instinctively, he held his pipe aloft, and a sob escaped his lips. Tears streamed down his face, and he thought he would faint from the excitement and fear that coursed through him. Then the great bird dropped onto the buffalo skull and looked curiously at the boy. It was an eagle, strong and powerful, his dark feathers touched with lighter spots that glinted in the faint moonlight.
The boy ceased trembling and forced himself to meet the eagle's gaze. Should he ask a question? Overwhelmed, he waited, saying nothing.
The eagle continued to regard him. Finally, the boy felt words forming in his mind and heard his own voice in the silence.
"Welcome, Tunkaśila, Grandfather. I am honored that you have come. What can I, a man born to the white eyes, learn from you, Wambli Gleśka, the Spotted Eagle?"
As soon as he had spoken, he wished he hadn't. He sounded so young, so weak. But the eagle seemed pleased and answered the boy.
"Wakantanka, the Great Mystery, knows you, Iśte Śkan Niyapi, you who have eyes that are alive with the sky, and I have come as a messenger. I will show you things you will need to know to serve the Lakota. Come with me."
The words died away, and the boy felt himself drawn up into the air with the eagle, sweeping ever higher into the night sky, until he thought they would brush the very stars. High and far they flew, into the east. The boy saw the great rivers below them shimmering like ribbons. As the sun lifted over the distant horizon, throwing a pale yellow light into the sky, they reached a land of rolling hills and low mountains covered with dense forests. Among the trees were farms and fields, and along the rivers were towns, white people's towns, and many, many white people. The boy had seen these places years ago, when he had traveled through them with his father, before they had met the Oglala. Yet something was different about the hills and towns. Looking closely, the boy saw an ugly pall of smoke overtaking the land and flashes of fiery light glinting red through the trees. The eagle drifted downward on the wind currents, and soon the boy heard terrible sounds. People were crying everywhere, and explosions and gunfire erupted all over the land. Then the noises faded, and he and the eagle kept flying toward the east, finally reaching a city that the boy recognized as the place where the White Grandfather lived, the laws were made, and the white councils met. He had visited this city with his uncle once when he was very young, perhaps five or six. It seemed very strange and frightening now. He wondered why the eagle had brought him here.
In answer to the boy's thoughts, the great bird swept low over the city, so close that they could hear people talking. There was talk about the war, and about the need for land, more land in the west. People talked of cattle and railroads and gold. And they spoke of the Indians.
The boy listened hard to hear what was said about the Indians, and his heart grew cold at the words he heard. Savages. Animals. Murdering heathens. Let the army take care of them after the war is over. They're sitting on land we need. Push them off. Eliminate them. Make room for good Christian people. The boy was ashamed that he was of the same race as these callous men, and he was shocked by their ignorance. Indignation and fear burned his spirit. Their own country in war-torn ruins, they calmly spoke of taking the Indians' country and carrying their ugliness onto the plains, bespoiling them forever. There were men who defended the Indians, but they were few, and even they did not seem to understand the horror of what the others said.
Then he heard the eagle's voice in his ear. "You will be able to help the Lakota. You know this world, and they do not."
The eagle bore him high above the city again, and they turned back toward the west. The boy thought about what the eagle had said. He didn't feel as if he knew this world at all. He knew the prairies and hills of Dakota and the Powder River country. He knew horses and hunting and how to survive on the high plains. He had been a child in the white man's world, but he didn't know it any longer. He was becoming a man in the world of the Lakota, and he was happy there. He didn't wish to return to his old life. Would he have to? Was that what Wakantanka wanted him to do?
The dawn caught them again, and the eagle carried the boy back and forth above the earth between the Missouri River and the Bighorn Mountains. He showed the boy the bands of people traveling with their horses and their travois from camp to camp, from south of the Platte River to the Canadian border. The land was wide and lovely, full of game and wild fruits and herbs. Buffalo blanketed the prairies, moving like a dark cloud through the broad valleys and across the hills, and the people were happy.
But each time the boy and the eagle crossed the land, they didn't go as far as they had the time before. Soon they didn't go as far south as the Platte. They didn't go as far west, or north or east, either, and the people didn't travel as much from place to place. There were large camps along the Missouri that never moved, and the people were not so happy. The buffalo and the other animals began to disappear, and the people grew weary. When the boy and the eagle flew only between the Black Hills and the Missouri, the people were starving. Then the boy caught his breath.
There were white people in the Black Hills. The Lakota were being chased away, sent to the river to die of white men's diseases and grief. Everywhere now there was the sound of mourning. Hunters returned with empty hands, and children and old people cried because their stomachs were empty and their hearts remembered better days. The land itself sighed with sorrow for the people and all the relatives, the buffalo, the elk, the birds, and all who were disappearing.
The eagle flew back toward the Hills, where the boy saw a single buffalo cow below on the prairie, trotting toward the Hills. The eagle followed it.
The buffalo picked its way through the trees, sometimes lost to sight in the narrow gulches it followed. After a long time, it disappeared into a thick grove of pines and spruce beside a meadow and did not reappear. The eagle soared above, and the boy looked down on a small waterfall and a pool. A tall pine rose like a spire next to the falls. The eagle glided down to perch in its uppermost branches, and they waited, looking for the buffalo. It was so beautiful and peaceful in the meadow that the boy forgot the suffering he had seen.
There was a sudden movement below. The boy and the eagle looked down immediately, but instead of the buffalo, a woman walked from beneath the trees. At least the boy thought it was a woman. He couldn't see her clearly; a cloud of mist from the falls obscured her from view. The eagle lifted his wings, and they dropped to the earth before the woman, yet still the boy couldn't see her. Then the mist cleared, but only for an instant. All the boy saw were her eyes, the most beautiful, mysterious eyes he had ever seen, as brown as the moist earth below his feet, and as green as the dark pine boughs above him; eyes that beckoned him with expectation and the warm promise of invitation. His heart leapt into his throat as he instinctively reached toward her, his hand grasping for hers through the tattered wisps of clouds and fog. Then the mist wrapped around her once again, as quickly as it had cleared, and he felt the powerful thrust of the eagle's wings as they rose into the air together. He strained his eyes, hoping for another glimpse of her, but he was too far away. She was gone.
Soon he saw the familiar shape of Bear Butte below, and he was falling, falling back to the ground, back onto the bed of sage within the square marked out by the four poles and colored flags. He hit the earth facedown and knew no more.

Sunday, May 13, 2012

Happy Mother's Day from the Pens Fatales!

The Pens had a mini-retreat this weekend. We holed up in a hotel room and worked! (For all you non-writers out there, this is the ultimate in writer indulgence :) )


View from the balcony!


 Writer Super Food!!



Another view from the balcony--it was a GORGEOUS day in Oakland! 


Adrienne and Martha working hard


Then we visited Juliet's house for a lovely afternoon of cheese and chocolate and pizza.

And to celebrate some good news.

Rachael was honored with a Holt Medallion Award of Merit for How To Knit A Heart Back Home!
LGC sold her time travel romantic thriller, Warlord, to Belle Books...publication date TBA (sometime in 2013--don't worry we'll let you know when it's coming. This book is fabulous!!)

Rachael (post-surgery lounging on sofa) and LGC

Sophie had a new sale (not sure if I'm allowed to announce deets on this one so we'll just say congrats!)
Martha has been working like a fiend on several projects.

 Sophie and Martha bundled up and hogging the chocolate cookies and brownies

Juliet is going to France for the month of August. Can we all just admit that we're jealous as hell and leave it at that? :) Gigi's working on the September release of her fabulous mystery, Artifact, which is garnering rave reviews from advance readers!!

Juliet and Gigi talking writing and process

Lisa is editing her paranormal romance, Archangels: Rafe, due out in early June. Adrienne is working on several projects. And Nicole is wrapping up the semester at Seton Hill so she can spend the summer writing about Jane True. We are super excited that she's coming to visit!!


Happy Mother's Day!!

That's a quick update on the Pens. Hope you all have a lovely Mother's Day!!
xo